Let’s start by showing y’all the trailers, shall we?

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Non-Spoiler Plot Rundown

James Gunn’s Superman (2025) begins like you’ve just cracked open the middle of a comic book—zero context, full action. No opening origin story. No time to catch your breath. Superman is already active, already being Superman, and already suffering. He gets injured multiple times in this film and is forced to reckon with not only the power of hope, but the cost of carrying it.

The story kicks in when Lex Luthor breaks into the Fortress of Solitude and hacks Superman’s Kryptonian technology, discovering a hidden message from Superman’s parents that doesn’t say “We sent you here to protect them,” but instead: “We sent you here to enslave them.” That lie becomes the spine of Lex’s twisted campaign, convincing the world—and himself—that Superman isn’t a savior but a ticking time bomb.

The Kryptonian Elephant in the Room: Genocidal Parents?

One of the most controversial changes James Gunn makes in this film is altering Superman’s family motivation. Instead of the traditional depiction of Jor-El and Lara sending Kal-El to Earth as a hopeful act of salvation, this version has them dispatching their son with a chilling message: “Impregnate. Expand. Enslave. You are Krypton’s future.” Yeah… what the actual hell, Mom and Dad?

Why This Could Be a Bad Thing:

It muddles Superman’s moral origin. Kal-El has always been the child of two worlds, with his Kryptonian past often painted as a noble tragedy. Turning his heritage into something colonialist and fascist risks undermining the heart of his character — that he chooses humanity, not because he’s fleeing evil, but because he’s guided by love and hope.

It messes with Zod’s narrative, Traditionally, Zod represents the militant arm of Krypton, the extremist who believes in domination, while Jor-El stands as a contrast — the scientist, the savior. With this retcon, Zod becomes…redundant. If all of Krypton was on board with galactic domination, what makes Zod special? This change might make it difficult to introduce him later without repeating the same genocidal motivations.


Why It Could Work:

It strengthens Clark’s internal conflict. Suddenly, it’s not just a story of alien heritage vs. human nurture — it’s a story of breaking the cycle. Kal-El rejecting his birthright becomes an even stronger stand. He’s not just choosing to be human; he’s actively saying, “I will not be what I was made to be.”

It adds thematic weight to Lex’s paranoia. In this world, Lex isn’t wrong to be suspicious of Superman — at least not completely. He did intercept a message that, on paper, makes Superman sound like a sleeper agent for a space empire. That tension adds complexity. Superman has to earn trust, not just receive it by default.

There’s room to redefine Zod. If handled carefully, Zod could be reintroduced not as a megalomaniac but as someone who rejected Krypton’s genocidal plan in his own twisted way — maybe a defector who chose authoritarianism over assimilation. Or, he could be shown as a pure product of that culture, escalating the stakes by showing how much worse it could’ve been had he landed on Earth.


Ultimately, the retcon is risky — but not irredeemable. It gives Superman more psychological weight, but it also demands that future writers tread carefully. If Zod is coming, he needs a new angle. Because right now? Krypton’s looking less like a lost civilization and more like space Sparta with eugenics propaganda.

BTW look how stacked the cast is for this film from these posters.

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Character Rundown

Superman / Clark Kent – Played by David Corenswet, this version of Superman blends hope and uncertainty. He’s young, optimistic, but painfully human. He doubts himself. He bleeds. He breaks.

Lois Lane – Rachel Brosnahan gives us a punk-rock small-town journalist with bite. She’s whip-smart, persistent, and immediately calls out B.S.—which is exactly why she fits so well with Clark.

Lex Luthor – Nicholas Hoult is terrifying. Cold, clinical, manipulative, and ruthless. This is not Hackman’s campy real-estate mogul. This is the real deal. More on him below.

Mister Terrific – Played by Edi Gathegi. Not only does he steal the show, he embodies intellect, sass, and leadership. He’s funny, logical, and constantly at odds with Guy Gardner.

Hawkgirl – Isabela Merced brings strength and grace to a character we haven’t seen on the big screen in decades. She’s one of Superman’s closest allies.

Guy Gardner – Nathan Fillion plays the most unhinged Green Lantern we’ve had yet. He’s annoying, loud, unfiltered, and somehow… lovable. More on his dialogue below.

Jimmy Olsen – He’s back, he’s a hoe, and he’s got charisma. Not much else to say.

Teschmacher – Lex’s assistant-slash-captive. She’s quirky and emotionally broken, and her subplot surprisingly works.

Rick Flag Sr. – Straight out of Creature Commandos, appearing briefly to tie things together.

🟢 The Return of Green Lantern (Finally)

Can we just take a moment to acknowledge the fact that this is the first time we’ve seen a Green Lantern on the big screen since 2008? And no, we’re not counting the CGI migraine that was the Ryan Reynolds version — the less said about that space spandex fever dream, the better.

But instead of playing it safe with Hal Jordan or giving us a quick nod to John Stewart, James Gunn said, “Let’s go full looney tunes” and brought in Guy Gardner, the most obnoxiously confident Lantern in the Corps.

And you know what?

It weirdly works.

Sure, he’s not the most famous Green Lantern. Sure, he’s loud, impulsive, and shaped like a talking traffic cone with emotional issues. But that’s what makes him original and refreshing. We’ve never seen this flavor of Lantern before — a guy who:

Picks fights mid-briefing,

Casually talks about “hypno glasses” around Lois Lane,

And uses his ring to conjure giant green middle fingers as battlefield strategy.


It’s such a weird, bold choice — and exactly the kind of shake-up DC needed to make this universe feel new again.

This isn’t a textbook Lantern with noble speeches and chiseled perfection.
This is Guy freaking Gardner, and somehow…
he might be the most memorable live-action Lantern we’ve ever had.


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Favorite Funny Lines

Guy Gardner:

“How do you know about the hypno-glasses?”

“I’m not saying who Superman is, okay?”

“I took an oath and it prevents me from dealing with politics.”

“What!? My what should be what!? I’ll have you know all 310 people would disagree with you!”

“No way. Do you really want this ugly guy to be the face of the Justice Gang?

Metamorpho: justice gang? I like that name

Guy Gardner: You’re in.”


Lex Luthor:

“Ah, Superman. We meet at last. Do you want coffee or something?”

“Teschmacher, record all this.”

“Ugly dog… in an ugly cape.”

Mister Terrific:

“Oh really?”

“Oh, it’s implied!? You always say that when you don’t want to do something.”

“What do you want me to do!? Tear it open again and fix it!?”



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Lex Luthor: How Evil Is He?

Lex kidnaps multiple exes from his past and traps them in the Fortress of Solitude, modifies Superman’s parents’ message to paint him as a tyrant, manipulates the military into attacking a neutral nation, and mocks Superman’s dog. Let me repeat that. He mocks the DOG.

He tells his own tech guy to leave the interdimensional portal open even as it starts to destroy the planet: “They chose him! Let them die!”

He is methodical, deeply manipulative, and willing to let the Earth burn to prove a point.

So to those critics saying “He’s not evil enough”? No. Just no. You’re watching with your eyes closed. This is the most villainous Lex we’ve had in live-action. Gene Hackman doesn’t come close.

Also One of the clearest windows into this version of Lex Luthor’s psyche comes early in the film when he storms the Fortress of Solitude and bitterly states: “I don’t like metahumans bur Superman I hate the most” “Superman? He’s not a man—he’s an it. And somehow, he became the focal point of this entire world.” That line says it all. This isn’t a man with a vague grudge or some greedy businessman chasing power—this is ideological warfare. Lex sees Superman not as a person, but as a threat to humanity’s identity. His hatred isn’t random—it’s rooted in resentment that the world worships an alien instead of one of its own. It’s textbook Lex Luthor: petty, prideful, and obsessively human.

🧠 Luthor Legacy: Why This Lex Deserves His Spot at the Top 🧠

Some people (we won’t name names… okay, maybe we will later) are saying this version of Lex Luthor “isn’t evil enough,” “too cartoonish,” or “would never bark orders like that.”

To which I say:

If you genuinely believe that, then you’ve either never read a Superman comic, or you got drop-kicked into the Snyder cult and never crawled back out.

Let’s break this down with brutal honesty.

This Lex? Played to psychotic perfection by Nicholas Hoult, is the closest we’ve ever gotten to a comic-accurate Lex Luthor in live action. He’s not some muscle-bound punch villain or manic tech bro. He’s a cold, calculated narcissist who believes the world belongs to him, and anyone else who tries to “save it” is an obstacle.

Cartoonish? Sir. He hacks the Fortress of Solitude, plays god with alien prophecy, kidnaps every woman he’s ever dated, orchestrates an interdimensional invasion, and turns Superman into a global pariah — all while sipping coffee and mocking a dog.
That’s not cartoonish. That’s terrifyingly calculated sociopathy.

Too passive? Lex Luthor doesn’t get his hands dirty. He gets other people dirty, and then washes his hands with their tears. The entire essence of Lex in the comics has always been: “I’m above this. But I’ll still win.”


You want Lexes who did less but shouted more? Let’s play comparison:

Gene Hackman was a real estate grifter in a wig. Iconic? Sure. But menacing? Not quite.

Kevin Spacey just turned that same Lex up to 11 and screamed about beach houses.

Jesse Eisenberg? A twitchy bundle of daddy issues who confused Lex for Joker.

The CW’s Supergirl Lex (Jon Cryer)? Surprisingly solid — petty, manipulative, but a little too TV-budget snarky.

Superman & Lois Lex? Gritty and intimidating, but still played like a survivalist with a grudge.

Titans Lex? Blink and you missed him — then he croaked.

Smallville Lex Luthor (Michael Rosenbaum)
This Lex might be the most complex and tragic version of the character ever put to screen. Raised by the manipulative and cold Lionel Luthor, Smallville’s Lex begins the series as a charming, curious, and even vulnerable young man. He’s genuinely interested in friendship — especially with Clark Kent — but that idealism is slowly eroded over the years by betrayal, manipulation, and his obsessive need for answers.

What makes this Lex unique is the slow-burn descent into villainy. He doesn’t start out evil. He becomes Lex Luthor over the course of a decade — and it’s a tragedy you can’t look away from. He wants to be good, he wants to be loved, but deep down he doesn’t trust anyone — not even himself. He’s brilliant, manipulative, and ruthless when cornered, but still carries the ghost of who he could have been.

This version is less about pettiness and more about paranoia, daddy issues, and the erosion of morality over time. But even when he’s fully in villain mode, he’s still human — and that’s what made Rosenbaum’s performance unforgettable.


All decent in pieces, but none of them felt like the full comic book Lex Luthor package. Until now.

Nicholas Hoult gives us a Lex who is:

Smart enough to manipulate countries.

Petty enough to cyberstalk Superman’s dog

Evil enough to literally say “let them die” when Earth is collapsing


And let’s not forget the most Lex line ever:

> “Ugly dog in an ugly cape.”
Straight-up taunting Superman to his face, before sipping coffee like it’s just another Monday.

Also another line between Lex and Superman.

Superman: lex this obsession with me is getting out of hands

Lex: Don’t worry, tall, dark and Martian isn’t my thing.

Superman: Actually I’m from Krypton

Lex: same difference.

Also, this Lex is beyond smart, he put Ultraman in armor and talked through the speaker through his chest, altered his voice, and had the voice tell everyone he’s from the town Bolivia.

He also gains the support of the other country’s president, they are in cahoots. Also, Lex has monkeys in his pocket dimension typing out hateful messages online and hashtags against superman to get people to hate him, he’s truly thought of everything.

This Lex doesn’t need power armor or a giant “L” logo.
He is the threat.

So if someone says “this Lex isn’t evil enough,” maybe what they mean is:
“This Lex makes me uncomfortable because he’s too real.”

Also I like how tries lex admits he’s dense.

Superman: u do realize ur super petty

Lex: Yeah I know! I’m not dense!


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Final Thoughts & Rating

This is the most comic-book accurate Superman film in tone we’ve ever had. It’s unapologetically weird, deeply emotional, sometimes slapstick funny, and packed with deep-cut characters you probably won’t know unless you’ve read a thousand comics.

Dan Murrell made a great point—if you don’t have an encyclopedic knowledge of DC Comics, you will feel left out. But if you do? You’ll eat good.

James Gunn based Krypto off his own unruly dog and made sure Krypto was not the good boy you expected. He’s adorable, chaotic, and wrecks everything.

You will either love how much Superman gets injured (it humanizes him), or feel it makes him too weak. Me? I fall somewhere in the middle.

And yes—this Superman is better than Reeve’s. He’s more emotionally nuanced. He feels lost, raw, hopeful, real. And Lex? Best one we’ve had. Period.

How This Film Won Me Back

Let me be real with you. I haven’t been genuinely invested in Superman since LEGO Batman 2: DC Super Heroes — and yes, I’m being dead serious. That game made me feel something for the character, something charming, fun, and heroic. But everything afterward? Meh. Either too brooding, too goofy, or just not compelling enough to hook me. But this film? This one brought Superman back for me.

Not only did it make me care about Superman again, it did the one thing I wasn’t sure was even possible anymore: it got me excited about a DC movie. Not cautiously optimistic. Not “I’ll check it out on streaming.” No. I was actually hyped. And now that I’ve seen it?

I’m legit happy. I’m excited. I’m ready to follow this new universe wherever it goes. James Gunn didn’t just make a good Superman film — he made me believe again. In the character. In the DCU. In hope.

I want to see more.

To the Snyder Cult: It’s Over. Move On.

Let’s get this out of the way: there’s a difference between being a fan of Zack Snyder’s work and being part of the unhinged Snyder Cult that treats everything post-Snyder as a betrayal. And right now? That same cult is out in full force — review-bombing this film, screaming “#BringBackTheSnyderVerse,” and pretending James Gunn spit in Snyder’s face.

Here’s the irony: James Gunn literally asked Zack Snyder for his opinion when making this film. You know that iconic Superman red trunks Gunn brought back? He asked Snyder if he thought it was a good idea. They spoke. They’re cool. Meanwhile, Snyder fans are melting down like Gunn stole their lunch money. It’s unhinged.

Let’s be real: Superman (2025) doesn’t erase Snyder’s contributions. It just… dares to smile. It dares to show Superman as a hopeful, vulnerable man trying his best — not a tortured alien punching his way through existential despair. It’s bright. It’s bold. It’s emotionally sincere. And for some people, that’s somehow offensive.

But here’s the truth: none of the rage matters. The DCEU is gone. The DCU has landed. This Superman already won people back (including me, someone who hasn’t truly loved Superman since LEGO Batman 2 — and that’s not a joke). I haven’t felt this excited about a DC movie in years. I want to see what comes next.

The Snyder Cult can keep posting.
We’ll keep flying forward.

On the Accusations of “Nepotism” in James Gunn’s Projects

Let’s talk about one of the laziest, most recycled complaints tossed at James Gunn whenever he releases anything: “Nepotism.” Oh no, his brother Sean Gunn is in his films again? How dare he cast someone he’s worked with for over a decade and who’s, y’know, actually talented. Oh no, he based a character’s behavior on his own dog? How dare he… be a writer with personal inspiration?

Give me a break.

This isn’t some corporate executive handing their unqualified nephew a starring role in a billion-dollar franchise. Sean Gunn has been part of James’s creative circle since the beginning. He played Rocket Raccoon’s motion-capture double for years. He made Kraglin unexpectedly endearing. He’s earned his place. He’s not being handed lead roles on a silver platter—he’s showing up, doing the work, and delivering.

And basing Krypto the Superdog’s behavior on a misbehaving ankle-biting dog James once had? That’s not nepotism. That’s storytelling. That’s what writers do. They pull from personal memories, from real emotions, from bizarre moments that give characters life. It’s what made Guardians of the Galaxy feel weirdly intimate, and what makes Superman (2025) feel grounded even amid flying men and kaiju battles.

But here’s the thing: most of the people crying “nepotism” don’t actually care about fairness. What they care about is control. They don’t want a director putting his personal stamp on a character they think should belong to them. They don’t want weirdness. They want checkbox fan service with no soul.

The hypocrisy? They praise Zack Snyder for making Superman his own — for turning him into a mythic, tragic god-figure. But when James Gunn does something personal and heartfelt, they grab their pitchforks.

Here’s the truth:
James Gunn isn’t building an empire for his friends.
He’s building worlds that feel lived in.
He’s casting people he trusts because trust matters in storytelling.
And the work speaks for itself.

If you’re more offended by a director using his dog as inspiration than you are excited about good storytelling, maybe the problem isn’t Gunn.
Maybe it’s you.

Also, can we talk about James Gunn’s weird obsession with eyeballs?

Like, what is it with this man and jabbing enormous creature eyeballs? First, Starro in The Suicide Squad gets a rat-infested corneal exfoliation. Then the Cow in Peacemaker gets an optic beatdown. And now in Superman (2025)? We’ve got Superman, Hawkgirl, and Green Lantern tag-teaming a kaiju’s eyeball like it’s the final boss of a Red Eye Relief commercial. I swear, if Gunn directs Swamp Thing next and the creature has a literal eye in its chest, I’m walking out.

It’s like Gunn sits down to write and goes, “Hmm, what can I traumatize this time?”
His answer: ocular violence. Always.

At this point, I’m convinced if he rebooted Finding Nemo, Marlin would get poked in the eye by a depressed jellyfish with parental trauma.

🟢 I feel mentioning Pros for this film is redundant since u get the Pic but I wanna highlight 2 new elements in this film I appreciated.

One of the most unexpected — and surprisingly effective — choices in Superman (2025) was flipping the usual family dynamic. This time, Jonathan Kent is alive, and Superman’s Kryptonian parents are the problem. That reversal works for two major reasons:

1. It refreshes the emotional core.
Most Superman stories lean heavily on the trauma of losing his Earth father, using it as a defining moment. But keeping Papa Kent alive in this version allows Clark to have ongoing emotional guidance — a moral anchor as the chaos unfolds. It gives Jonathan a real arc, and lets us see the present-day father/son relationship grow, instead of just mourning what was lost.

2. The Kryptonians aren’t symbols of tragic loss — they’re a warning.
Recasting Jor-El and Lara as genocidal or morally compromised adds edge and urgency. Krypton isn’t a utopia that tragically perished — it’s a cautionary tale of arrogance and destruction. It forces Clark to confront a terrifying truth: the people who gave him life were not good. Suddenly, being Kryptonian isn’t something to mourn — it’s something to wrestle with.

In a way, it flips the classic Superman dilemma. Instead of “Do I live up to my alien heritage?” it becomes, “Do I reject it to become something better?”
That’s a far more compelling question — and one that this film tackles with fresh, timely weight.

Favorite Character Highlights
Let’s spotlight the core four that left the biggest impact on me in this film specifically — not just for how they were written, but for how alive they felt onscreen:

🟩 Guy Gardner – Somehow, against all odds, I found myself liking Guy Gardner. Yeah, the loudmouth Green Lantern who’s usually written like a beer commercial in space? He’s still obnoxious, still overconfident — but here, it’s layered with real charm. There’s a loyalty and vulnerability under the surface that makes him more than comic relief. His chemistry with Superman gives the film unexpected warmth — like a frenemy turned reluctant ride-or-die.

📰 Lois Lane – This Lois gets it right. She’s fearless, grounded, and never sidelined. Instead of being the “reporter girlfriend,” she’s Clark’s equal in every scene — sharp, morally driven, and emotionally honest. She challenges him when he doubts himself and serves as the audience’s anchor when the Kryptonian plot gets heavy. This isn’t just a love interest — this is Lois freakin’ Lane, and she owns it.

🦸‍♂️ Superman – This version of Clark Kent doesn’t just wrestle with being a symbol — he’s unraveling the truth of his own existence. The fact that his Kryptonian parents sent him here to conquer, not protect, shakes him to the core. It’s not about doubting the world — it’s about doubting his place in it. And that inner turmoil makes his arc so compelling. This Superman isn’t perfect. He’s scared, lost, and trying to redefine what he stands for — and that’s what makes him feel real.

🧠 Mister Terrific – Absolute scene-stealer. Cool under pressure, insanely smart, and dripping with charisma. He’s the brainy badass every team needs, but what makes him great here is how fun he is to watch. He never feels like exposition with legs — he’s always in control, always ten steps ahead, and he brings this crisp, clean energy that makes every one of his scenes pop.

Also I love this dialog between him and Lois

Lois: so you have a hover craft but couldn’t make a faster opening garage?

Mr. Terrific: I didn’t work on it yet.

Also quick mention, I now have another new favorite song thanks to James Gunn. There’s this high beat music that starts playing when Mr. Terrific attacks the Guarda at the camp, enjoy.

🔴 I do have 2 cons with this film.

Guy Gardner is surprisingly likable… and that’s kinda the problem.
Longtime fans of the comics know Guy as the loudmouth wildcard of the Green Lantern Corps—a cocky, abrasive jerk who constantly clashes with everyone, especially Superman. While Nathan Fillion’s performance is undeniably fun, this version of Guy feels more like the cool uncle of the team than the insufferable headache we expected. He’s too chill, too team-friendly, and frankly too enjoyable. Without that trademark “love to hate him” energy, the character loses some of his edge and ends up feeling a little too sanitized.

He’s written more like a snarky but dependable teammate than the abrasive loudmouth fans know. By the end, you like him too much to really buy the ‘douchebag’ label.

Even in the finale, when Hawkgirl suggests Metamorpho join, Guy throws in a jab (“you really want that scary face to represent the Justice Gang?”)… but then immediately accepts him. It’s funny, but also way too warm-hearted for the Guy Gardner fans expect. Classic Guy would’ve fought the idea tooth-and-nail; this one shrugs and says, “You’re in.”

Lastly, Hawkegirl is just here, she screeches and that’s it. There’s nothing to her, it’s like what is it exactly u do again?

Ohh, also, superman gets beaten up in every scene. Every fight scene I mean.

But besides that i highly recommend this film.

Final concern, this isn’t with this film but this new universe James is starting.

“One of the boldest, but riskiest choices James Gunn has made in launching the DCU is the tonal split between his PG-13 theatrical films and his adult-only HBO shows. For adults, it works — but for younger fans, it’s a mess. Characters like Peacemaker, Rick Flag Sr., and the Creature Commandos show up here, but kids won’t know them unless they’ve watched the TV-MA shows… which they can’t. It’s a strange move: building a cinematic universe that’s half locked behind a parental control screen. And while Gunn promises you can watch just the films — this one proves that may not be so easy.”

I do wish this film had a better conclusion to the world being concerned that superman might be here to enslave them, because by the end everyone just goes back to liking him.

But overall I still highly recommend this film

RATING: 8.5/10


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Cameos (Before Spoilers Begin)

Peacemaker – Appears briefly on Lois’ TV during a scene in her apartment. It’s a blink-and-you’ll-miss-it gag, but it ties the world together.

Supergirl – Surprise appearance in the ending! Played by Milly Alcock (young Rhaenyra from House of the Dragon), she makes a chaotic entrance. More on her in the spoilers.


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Heartfelt Moments That Hit Hard

When Superman crash-lands in Antarctica, he’s dragged into the Fortress by Krypto. One of the robots (Number 4) delivers a haunting line: “We fed the dog… but it’s an unruly thing. We are not made of flesh, and in our hearts, we do not care if it lives or dies.”

As Superman walks out, Krypto playfully paws at him—then starts whimpering. That broke me.

Jonathan Kent sitting near his son on the porch: “Your choices, your actions are what make you who you are. And I couldn’t be more proud of you, my son.”

The post-credit scene of Superman sitting on the moon with Krypto curled up in his lap, hugging him. No setup. No future tease. Just… peace.



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SPOILERS AHEAD

So since were in full spoilers let me give more details of how manipulative Lex is in this film.

In this film, we get introduced to 2 made-up countries for this film called Boravia and Jarhanpur.

And lex well let’s see

In the beginning has his man Ultraman wore armor and attacked the city and Lex spoke through a microphone through the chest that was dubbed a bit and he framed Boravia by telling the people that this metal-suited man comes from Boravia and is here to take over

This lex breaks into the fortress of solitude with the engineer and ultraman and kills Superman’s super robots, kidnaps krypto, extracts info from a message from Superman’s Kryptonian parents, whwre the message was fried and he only heard the first half he believed they sent him here to save everyone, turns out nope they sent him here to tske over these incompetent species and impregnate woman.

And he realizes that info on news ends so now everyone hates Superman,

Also if ur wondering how Ultraman works for Lex and he put him in an armor suit and made it seem like Boravia sent it, then how does Ultraman get back to Lex?

Easy he flies to this small camp on the far coast where this tent has a portal that leads to a dimension that leads to Lex’s office.

Also, Lex sided with the Jarhanpur president and we see both of them been manipulating the media, he has access to the portal in his office behind a mirror.

Anyway Superman turns himself in, Ultraman and the engineer take him to the tent and put him in the portal and shove him in a cube cell with Metamorpho who’s here to create kryptonite from his hands to detain Superman, How does Lex manipulate Metamorpho?

By having his baby son being held in another cell across them, also they pass by crypto who they have in a holographic cage chasing VR super squirrels, he tells him he plans to put down crypto.

Also, they pass by a wall of computers with monkeys he’s programmed to send hateful hashtags out and hateful messages for social media.

He brings an innocent man who helps out Superman and ties him up and puts a bullet in a gun and forces Superman to tell Lex himself where he lives otherwise he’ll shoot the man, In the second attempt he shoots the man in the head.

Yes, he played Russian roulette.

Also, this Lex manipulated 2 countries to go to war against each other just to have an excuse to take down Superman because he despises him.

Also, he made a Clone of Superman whom he names Ultraman, that’s how he was able to get into the Fortress of Solitude.

Anyways onto third act.

Lex Luthor’s plan spirals out of control as his interdimensional portal begins tearing into reality. One of his own men tries to shut it down, but Lex storms in and snarls: “They chose him! Let them die!”

Superman and the gang arrive at Lex’s headquarters. He flips out when Superman crashes in. “Ah, Superman. We meet at last,” he says mid-meeting. Superman demands to know where his dog is. Lex plays dumb until he insults the dog’s fashion sense: “Ugly dog in an ugly cape.”

Superman flips a table. Lex calmly sips coffee.

Eventually, the broadcast reveals to the world that Lex orchestrated everything. He’s exposed. Kryptonian tech is deactivated. And Krypto? Krypto rushes in and mauls Lex around like a chew toy.

As the portal collapses, Mr. Terrific shuts it down. Lex is arrested. His kidnapped exes are rescued. Teschmacher clings to Jimmy Olsen, whispering: “Now we can be together… forever.”

We cut to Superman and Lois kissing in a buidlding. Perry White and Jimmy stand outside:

Perry: “So how long they been dating?” Jimmy: “Ehh… about three months.”

Then comes the Justice Gang wrap-up.

After helping save the day in Jarhanpur (yes, Guy Gardner used his powers to flip tanks with giant green middle fingers), Hawkegirl tells Metamorpho, “You should join the team.”

Guy Gardner scoffs: “No way. Do you really want this creepy guy to be the face of the Justice Gang?”

Metamorpho replies: “Justice Gang? I like the name.”

Gardner grumbles… “You’re in.”

Final Fortress Scene:

Superman watches recordings of the Kents raising him. It’s quiet. Reflective.

Then Supergirl crash-lands into the fortress. She’s wearing a brown coat, drunk, and falls flat on her face. Krypto rushes to her—his true owner.

The robots, baffled, say: “That explains why he’s untrained.”

Supergirl (Milly Alcock) grins and slurs: “Bye, bitches!”

On Superman Not Scolding Supergirl for Being Drunk: Calm Down, It’s Called Empathy

So apparently, some critics think Superman should’ve pulled out a Kryptonian belt and lectured Kara for getting a little tipsy after years of grief, trauma, and isolation. Because yes, obviously, what the girl who crash-landed on a planet, lost her entire civilization, and has had maybe one functional meal in the past decade really needs… is a stern cousinly lecture about proper alcohol intake.

Give me a break.

What Superman actually does in this moment is something radical: he acts like a human being with emotional intelligence. He doesn’t yell. He doesn’t shame her. He doesn’t stand there wagging a sanctimonious finger while cueing the lecture music. Instead? He gently rolls his eyes, lets her finish her little emotional bender, and continues the conversation like, “Yeah, Kara’s dealing with things. And I’m gonna let her feel what she needs to feel, and I’m not gonna make this about me. Now back to business.”

Which is peak Superman energy, by the way. Not the “scold your family like you’re a substitute dad” version, but the “I know you’re hurting and I’m still here for you” version.

Also, let’s be real: if Superman had scolded her, those same critics would’ve screamed, “Ugh! He’s too self-righteous! Let her live!” This is why trying to please everybody is kryptonite to good storytelling.

So no, he didn’t grab a megaphone and yell “Kara, this is not how we act on Earth!” Instead, he gave her space, gave her love, and gave her the unspoken message: “I’m not here to punish you. I’m here to help you stand.”

And if that’s not Superman, I don’t know what is.

Also this end credits gas one my new favorite songs ever, here it is hope y’all enjoy.

Yes this film is indeed punkrock superman.

Post-Credit Scene:

Superman and Mr. Terrific stare at a cracked building foundation.

Superman: “It’s uneven.”

Mr. Terrific: “What do you want me to do!? Tear it open again and fix it!?”

He walks away in frustration.

Superman sighs: “Sorry. I shouldn’t have brought it up. God, I can be such a dick.”